Studio Portrait

Tags: Studio Practice

17th July

Simon Hitchens studio portrait

Always good to have an up to date image in the workplace. This one taken by Neil White hits the spot entirely I feel.

 

Diaphanous Sculpture?

Tags: Group Exhibition, Public Event

11th June

GLASS - Work by Contemporary Artists

Quiet Core Dubai

I am delighted to be showing a number of my glass works in a group exhibition at Canary Wharf over the summer and invite you to join me at the private view on 19th June. The sculptures are part of a series I made a number of years ago using transparent materials to suspend translucent forms, which explore presence, absence and perception. With works ranging in scale from the small and intimate to the mulit-tonned, among the other artists exhibited will be Lilliane Lijn, Annie Cattrell, Julian Wild and Danny Lane.

PRIVATE VIEW 19th JUNE, 6-8pm

Exhibition dates:
Monday 18th June - Friday 10th August
Open daily 7am-8pm
Free entry

Exhibition Tour with the curator Ann Elliott and a number of the artists:
Tuesday 3rd July, 6,30-7.15pm
Free, but please contact Canary Wharf Public Art Office to reserve a place.

Where:
Lobby
One Canada Square
Canary Wharf
London
E14 5AB
T: 0207 418 2257
E: publicart@canarywharf.com

IMG 3955
 

Faces of Sculpture

Tags: Group Exhibition, Indoor Sculpture, Exhibition

11th May

I'm delighted to be showing a work again at the Royal Society of Sculptors. This time as part of a photographic exhibition by Anne Purkiss titled Faces of Sculpture. Anne has been documenting sculptors and their work places for the past three decades and has an extraordinary collection of British sculptors in her archives ranging from Caro and Frink to Hirst and Whiteread. Out side the entrance to the Royal Society of Sculptors is Dame Elizabeth Frink's great head Memorian III.

My sculpture continues an investigation into the interconnectedness between the human and the non-human and is exhibited next to an image of me working a thirty tonne boulder in a Welsh stone quarry, four years ago.

Open:
14th May - 14th July
Mon-Fri 11am - 5pm
Sat 1pm - 5pm

Royal Society of Sculptors
108 Old Brompton Road
London SW7 3RA
0207 373 8615
sculptors.org.uk

Simon Hitchens   untitled
Frink lead image for exh 960 1210 s c1

Photo: Anne Purkiss

 

Rolling press reports

Tags: Press, Public Sculpture

My commission proposal for a major landmark sculpture in Northumberland, along with the two other shortlistees, is unsurprisingly gaining a fair bit of interest within the press. Here are a few of the articles I've spotted over the past couple of days - please click on the title link in bold:

Artnet

Artnet

telegraph logo 1750x1143

The Telegraph

Unknown

BBC News

metronewsweb

Metro News

Plus, a nice mention on page 4 of The Telegraph broadsheet yesterday.

Telegraph
 

Major New Landmark Sculpture

Tags: Public Commission

Wednesday 3rd May

I am delighted to be able to announce that I am shortlisted for a major landmark sculpture to be sited in the raw beauty of Northumberland.

The form, materials and siting of this landmark sculpture have been inspired by the rugged and undulating landscape in which it sits. Made from robust weathering steel, this elevated slice of hillside has the elegance of an aerodynamic form and references the rich history of local iron ore mining. Lateral fins which change in pitch, size and frequency catch the sun, creating shadows and a sense of perspective and movement. Take a unique walk into the Northumbrian landscape by entering Cold Law hill itself, viewing geological time as the carboniferous sandstone bedrock rises above you and then find respite at the hilltop shelter.

For more information about the commission, its timeline, inspiration etc. please click here.

1. Landmark sculpture  main view
2. Landmark sculpture  Rock Slot
3. Landmark sculpture  main view zoom
4. Concept drawing
 

The Elizabeth Landmark

Tags: Press

2nd May

'North East sculpture taller than the Angel of the North planned to honour the Queen' : read the article in the Newcastle Chronicle here

The Chronicle
 

Cheeseburn

Tags: Group Exhibition, Outdoor Sculpture, Public Sculpture

30th April

Today was a good day, installing two sculptures: sun on my back, lifting tackle, rock, sculpture, machines, and helpful assistants. There's a job to be done, everything is thought through and it runs like clockwork, almost like a choreographed performance (well, perhaps thats pushing it a little). Whilst it is physically pretty hard and mentally taxing, thinking about every eventuality, it actually seems like a day off. I guess thats the wonder of working out of doors!

Installing at Cheeseburn

So now these two favourites pieces belong to the Northumbrian landscape, at Cheeseburn Grange. CG is a beautiful set of buildings set within stunning gardens which have the feel of a large country house, yet the scale and intimacy of a personal project. There is a fantastic variety of sculpture to be found, from large well crafted statements, to small and gentle interventions. Open for selected weekends over the summer - see below.

The Other I   Cheeseburn

Cheeseburn Grange
Stamfordham
Northumberland
NE18 0PT
info@cheeseburn.com
cheeseburn.com

Open weekends:
May 19th/20th
May 26th/27th/28th
June 30th/July 1st
July 7th/8th
August 25th/26th/27th
September 1st/2nd

 

RWA Academician

Tags: Press, Studio Practice
RWA1
 
Liminal-Place-3.JPG
 
IMG_1388-2
 
IMG_3001
 

Monday 11th January

I'm delighted to say that I have been elected an Academician at the RWA.

I was selected on the strength of the four works above, plus supporting documents and images.

Founded in 1844, it is one of the five Royal Academies of Art in the UK.

 

RWA Open Exhibition

Tags: Group Exhibition
More than human #1  |  Rock, wax, resin  |  37 x 19 x 21 cm.  |  2017

Thursday 28th September

image: More than Human #1

I will be showing four works in the RWA Open this year, two of which have never been shown before - fresh from the studio!

These works are part of an ongoing investigation into the interconnectedness between rock and body, flesh and mountain, the natural wold. They are open-ended lines of enquiry within my studio practice - more proposition than closed statement or finished object.

Becoming Stone is rock-like in form, yet visceral and body-like in appearance. What appears to be made from muscle, sinew and fat, suggestive of discarded offal or body organs from a butchers shop, is in fact pigmented wax painted directly on top of stone - rather like growing a skin of living organs over the inanimate endoskeleton underneath. The displaced rock cast of The Flesh of the World #3 suggests flesh or growing matter searching out new life. It hangs in space like a sublime, ethereal rock creature with a wounded resilience that is unnerving and threatening, yet at the same time inviting, sensual and beautiful. These are qualities also found in More Than Human #1 and A Certain Reciprocity, which specifically concern themselves with the nature of being and our relationship to the physical world.

1 Oct - 3rd Dec
Tue – Sat: 10.00am – 6.00pm
Sun: 11.00am – 5.00pm
Mon: Closed
Queen’s Road
Clifton
Bristol
BS8 1PX
www.rwa.org.uk

 

Art and Physics

Tags: Press
IMG_6747

Monday 29th May

What an inspiration: Dr Sharon Ann Holgate has written a physics text book for undergraduate students reading STEM subjects and the arts. Its also a very accessible book for the lay reader, exploring aspects of physics, engineering and maths by using examples of art and in particular sculpture, to demonstrate how these principles are used in the real world.

I'm pleased to see my Kings Cross sculpture Unity adorning the covers and its engineering and design discussed within the chapters, along side my Kensington sculpture Glorious Beauty. For example, she discusses the importance of the underground fixing points: these are always unseen within the finished sculpture, but are vital for the security and structural integrity of the work and consequently much engineering goes into the design and fabrication of these hidden elements. Bravo

 
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